ccs14916 | CCAttribution

Digital Landscapes

O (Omicron) Attribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)
A permanent installation directed by Romain Tardy & Thomas Vaquié Share — copy and redistribute the material in any medium or format
Hala Stulecia, Wroclaw, Poland. for any purpose, even commercially.
When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of
65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier. The licensor cannot revoke these freedoms as long as you follow the license terms.
DIRECTED by Romain Tardy & Thomas Vaquié
ARCHITECTURE by Max Berg (1913)
VISUALS by Romain Tardy, Guillaume Cottet
MUSIC composed by Thomas Vaquié
2D / 3D MAPPING by Joanie Lemercier, Romain Tardy
MANAGEMENT & PRODUCTION Nicolas Boritch
Read more about the project on the ANTIVJ BLOG: blog.antivj.com/2012/o/

Sally Silverstone & Linda Leigh – Biosphere 2 Attribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)
Twenty years ago, a group of scientists and freethinkers built an ark in the desert. Share — copy and redistribute the material in any medium or format
Media attention and controversy surrounded it from the beginning. This is the real story. More on theavantgardediaries.com for any purpose, even commercially.
Directed & Edited by Richard Parks / Produced by Brady Welch / Director of Photography: Donavan Sell
/ Music by William Ryan Fritch / Line Producer: Michael MacDonald / Sally Silverstone interview crew: The licensor cannot revoke these freedoms as long as you follow the license terms.
Keith Pikus & Bennett Barbakow / Motion Graphics by LukeGraves / Coloring by Chris Donlon
/ Archival Courtesy of Linda Leigh / Special Thanks to Terri Timely and the University of Arizona

Lake of Dreams Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
Lake of Dreams – Burning Man 2013 feat. Sculptures in the desert. Share — copy and redistribute the material in any medium or format
Film and Music by Roy Two Thousand roy2k.com/
Additional footage by August Winkelman and Connor McNeill The licensor cannot revoke these freedoms as long as you follow the license terms.
Produced by Roy Two Thousand and Crystal Dawn Davis
Drums and Percussion by Anthony Mogli Maureal

Transparent Machines™ Attribution 3.0 Unported (CC BY 3.0)
directed by: beeple Share — copy and redistribute the material in any medium or format
sound design: standingwave / soundcloud.com/standingwave Adapt — remix, transform, and build upon the material
music: hecq – pulverized / hecq.de for any purpose, even commercially.
voice over: rachel salaman

BARCELONA. MOTION TIMELAPSE Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
A short motion timelapse movie by Alexandr Kravtsov. Share — copy and redistribute the material in any medium or format
Barcelona, Spain. August – October, 2013.
kravtsov.xdr@gmail.com The licensor cannot revoke these freedoms as long as you follow the license terms.
vk.com/ak806
facebook.com/ak806
Music: Uppermost – Revolution
uppermostmusic.com/audio/revolution/
facebook.com/uppermost
soundcloud.com/uppermost

Countdown – HD Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
My references are various, from Chris Ware for his extraordinary layout and (sometimes abstract) images, Share — copy and redistribute the material in any medium or format
Hans Richter, Len Lye, Stanley Kubrick or Godfrey Reggio (with his qatsi trilogy).
CREDITS : The licensor cannot revoke these freedoms as long as you follow the license terms.
Directing/design/animation/composting : Céline Desrumaux
Additionnal character animation : Florent Remize
Music : “Granulard bastard” from Apprat.
LINKS :
Céline : groovythesushi.blogspot.com/
Florent : flomize.blogspot.com/
Music : apparat.net

Canyons & Daniel Boyd – 100 Million Nights Attribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)
These Australians collaborate across distances to create a metaphysical piece that speaks to place, Share — copy and redistribute the material in any medium or format
rhythm, memory, and time. More on theavantgardediaries.com for any purpose, even commercially.

Directed & Edited by The Silentlights / Produced by Callie Barlow / 100 Million Nights audio-visual The licensor cannot revoke these freedoms as long as you follow the license terms.
collaboration by Canyons & Daniel Boyd / Special thanks to Sarah Grieve

Gray Keys Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
Visual: Carlo Vega – carlovegaart.com/ Share — copy and redistribute the material in any medium or format
Audio: Chilly Gonzales – chillygonzales.com/
Special thanks to Tilman Zitzmann – geometrydaily.tumblr.com/ The licensor cannot revoke these freedoms as long as you follow the license terms.

Tiny Sydney Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
A short tilt-shift film showing the city of Sydney. Share — copy and redistribute the material in any medium or format
Tilt-shift effect applied in post-production.
Shot from Bondi Beach, Sydney Tower Eye, Pylon Lookout, Dudley Page Reserve. The licensor cannot revoke these freedoms as long as you follow the license terms.
Edited with LRTimelapse, After Effect.
Music: Only Human by Olive Musique

Equipment used:
Cameras: Canon 5DIII and 7D
Lenses: Canon 16-35mm f/2.8, 70-200mm f/2.8, 24mm f/1.4, Zeiss 50mm 1.4

LICENSING
All sequences available up to 4K resolution.
For more info and updates:
fb.com/FilippoRivettiPhotography
filipporivetti.com

Surface detail Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0)
A myriad of details in an evolving fractal landscape. Share — copy and redistribute the material in any medium or format
I’m currently working on a WebGL 3D fractal renderer that will let you explore structures like this in real time. Adapt — remix, transform, and build upon the material

Update: The soundtrack is an original piece I made for the video. I’ve put it up on soundcloud: soundcloud.com/subblue/surface-detail The licensor cannot revoke these freedoms as long as you follow the license terms.

2012 Yeosu EXPO HYUNDAI MOTOR GROUP _ Hyper-Matrix Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
Hyper-Matrix is a kinetic landscape installation created for the Hyundai Motor Group Exhibition Pavilion in Korea, Share — copy and redistribute the material in any medium or format
the 2012 Yeosu EXPO site. Adapt — remix, transform, and build upon the material
The installation consists of a specially made huge steel construction to support thousands
of stepper motors that control 320x320mm cubes that project out The licensor cannot revoke these freedoms as long as you follow the license terms.
of the internal facade of the building. The foam cubes are mounted to actuators that
move them forward and back by the steppers, creating patterns across the three-sided display.

Hyper-Matrix created by [media artist group : J o n p a s a n g], based in Seoul, Korea,
led by Jin-Yo Mok in collaboration with Earl Park, Sookyun Yang, Sangwook Yu, Jinwook Yeo.

website : jonpasang.com
e-mail : info@jonpasang.com

New York Biotopes Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
My idea was to create a film, that fills up the metropolis New York with vegetation, that adapts to the Share — copy and redistribute the material in any medium or format
straightness of the technology and the given situation. This happens through the assimilation of structures Adapt — remix, transform, and build upon the material
and forms. These biotopes are shaped by the existing living environment, but in turn also shape the newly for any purpose, even commercially.
developed living environment by their presence. In other words, a symbiotically coexistence begins.
The licensor cannot revoke these freedoms as long as you follow the license terms.
TOOLS: Canon 600D, Vicon Boujou, Cinema 4D, After Effects
SOUND: Teacups of Our Ashes by Man Mantis from manmantis.bandcamp.com/ or facebook.com/manmantis
SPECIAL THANKS TO: Prof. Johannes Graf & Christoph Grosse Hovest

More stuff can be found at: behance.net/gallery/NEW-YORK-BIOTOPES/6915201

History of France in 3D (2012) Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
Frieze Film 2012- Absurd digital video of France. Share — copy and redistribute the material in any medium or format

Beginnings + Ends Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
What are the histories of artists engaging with emergent technologies? How has Post-Internet art come Share — copy and redistribute the material in any medium or format
to be defined? And what happens next? frieze asks eight artists, writers and curators to reflect
The licensor cannot revoke these freedoms as long as you follow the license terms.

It’s paper Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
I wanted to make some infinite loops for istockphoto and I wanted to make a paper shader. Share — copy and redistribute the material in any medium or format
The finished clips are actually only 4-5 seconds long but they can go on for ever.
Everything is straight out of cinema4d. Sounds from freesound.org The licensor cannot revoke these freedoms as long as you follow the license terms.

There’s a tutorial available about the making of this short. Check it out.
vimeo.com/ondemand/makingpaper

Breakdown I – HORIZON – Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
Behind the scene of how 3D interactive concept sci fi landscape is made. Share — copy and redistribute the material in any medium or format
More details about the conception :
behance.net/gallery/-HORIZON-/3530289 The licensor cannot revoke these freedoms as long as you follow the license terms.

Edited and created by Mickael Forrett

Softwares:

Adobe Photoshop
Adobe After Effect
Autodesk Maya
Autodesk Mudbox
The Foundry Nuke

Song: Thomas Barrandon – Watch me please
soundcloud.com/thomasbarrandon

SPLASH Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
“Splash” is something I made to learn the basics of fluid sims in RealFlow. Share — copy and redistribute the material in any medium or format
for now I can hardly wait to get back to Mograph, Xpresso and the rest of it. Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
Made with Cinema 4D // Realflow // After Effects
The licensor cannot revoke these freedoms as long as you follow the license terms.
SFX: freesound.org
Music: Pretty Lights – Understand Me Now (prettylightsmusic.com)

20 hz Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
A Semiconductor work by Ruth Jarman and Joe Gerhardt. Share — copy and redistribute the material in any medium or format
Audio Data courtesy of CARISMA, operated by the University of Alberta, Adapt — remix, transform, and build upon the material
funded by the Canadian Space Agency. Special Thanks to Andy Kale.
Made for the exhibition Invisible Fields at Arts Santa Monica in Barcelona Spain. The licensor cannot revoke these freedoms as long as you follow the license terms.
lighthouse.org.uk/programme/invisible-fields
20 Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data
collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by
incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible
and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both
visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.

05.00 minutes. / HD / 2011
HD single channel and HD 3D single channel.
20Hz is co-commissioned by Arts Santa Monica + Lighthouse . Supported by the British Council.

semiconductorfilms.com/root/20Hz/20Hz.htm

Berndnaut Smilde – Making Clouds Attribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)
The Dutch artist brings a luminous weather phenomenon indoors, but only for a moment. Share — copy and redistribute the material in any medium or format
And that’s precisely the point. More on theavantgardediaries.com for any purpose, even commercially.
Produced & Directed by Julia Wilczok and Maria Judice / Filmed by Fridolin Schoepper /
Edited by Konterfei / Sound by Kevin Pate The licensor cannot revoke these freedoms as long as you follow the license terms.
/ Music by Carlos Bruck / Cover photo by Berndnaut Smilde /
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